Book Review: Limmy’s ‘Surprisingly Down To Earth, and Very Funny’


Limmy: Surprisingly Down To Earth and Very Funny. (Credit: Chortle)

You might know comedian Brian Limond, aka Limmy, for his surreal sense of humour and sometimes inflammatory tweets.

Every time a celebrity dies, Limmy will tweet, without fail, ‘Had the pleasure of meeting … at a charity do once. He was surprisingly down to earth, and VERY funny.’ I can’t think of a more fitting title for his autobiography, which made it a book that made me laugh before even getting past the front cover.

I had never read an autobiography before so I didn’t really know what to expect. I knew what Limmy’s humour was like: weird, confusing, but utterly hilarious. I know Limmy to be a natural storyteller from his improvised stories that he live-streams on Twitch, and reckoned I’d enjoy his writing too. But it’s not always just what Limmy says that’s amusing, but the way he says it. I knew an audiobook was the way to go to get the full experience out of Limmy telling his life story. I never would have expected that I’d ever laugh out loud at the way a man is describing his suicidal thoughts, but it happened.

Mental health is the ongoing theme of the book, a topic Limmy has discussed often on Twitter and in interviews. He was asked to write a book on mental health, but it ended up taking the form of an autobiography. He’s brutally honest in his descriptions of his mental state, talking about his alcoholism, experiences using antidepressants and the few times that he has contemplated suicide, starting with him trying to drunkenly slash his wrists when he was fifteen. That was tough to listen to.

But in the darkness is a lot of humour. Not so much in the topic of discussion, but the way it’s written. Even when talking about some of the darkest moments of his life, he adds comedy. It doesn’t feel like comedy in its traditional sense: it’s morbid, but it’s natural, and his strange outlook on life is as compelling as it is hilarious.

The book begins at his first memory, and goes all the way to where he’s at in his life now. He goes on about how he was arrested for car theft when he was a teenager, and how he gained the nickname ‘Limmy the Tripper’ because he took so much acid. It was surreal getting such a deep look into the past of someone who I’m a big fan of. I wasn’t particularly surprised about what he got up to, but it was strange nonetheless. Most fascinating is his journey from a layabout, often in trouble with the police, to the person he is today: a successful comedian and father.

I’d absolutely recommend getting the audiobook version of Surprisingly Down To Earth, and Very Funny. His own narration compliments his humour wonderfully, and even adds more humour to some bits that aren’t meant to be funny (such as his questionable impression of an English accent, and the subsequent apology). Although it might not be what was intended, the telling of Limmy’s life is an excellent underdog story, one that I found difficult to stop listening to.



Home crowd at the Hydro: Kevin Bridges Review


Fans gathered at the SSE Hydro for the 14th night of Kevin Bridge’s sell-out tour. Credit to Guy Percival.

“That’s my sermon for the Sunday crowd!”–mild Kevin Bridges spoilers to follow. 

I recently went to see Clydebank comic Kevin Bridges on night 14 of his 19 sold out dates in a row at the SSE Hydro as part of his Brand New tour.

Selling out the nations biggest venue, 19 nights in a row is an achievement enough, but beyond that – after 3 sell-out UK tours – Kevin Bridges is still really funny.

In his warm Glaswegian brand of observational comedy, Bridges tackled a range of topics from Brexit and Trump to social media addiction and simply ordering Chinese food. Playing to his home crowd, he related international events to the sketchier of characters everyone in Glasgow, or Scotland for that matter, will know all too well.

None of this is to say that Bridges only goes for the topical, or dances around the fact that he is by this point a household name. Refreshingly, he talks a lot about the fame and fortune he has enjoyed, and how inconspicuous it makes him when trying to do things as simple as go for coffee in Glasgow’s West End.

And with that his persona has changed, he’s not really Clydebank anymore, he’s Byres Road. Years of success and a change of environment haven’t stopped Bridges from picking apart the human condition in his signature style, both as he sees it in Glasgow’s people and in world events. If anything, I’d say he’s getting better.

Despite going on his 14th night, there was still a buzz and sense of excitement in the crowd, and that is not something I’d expect Bridges to lose anytime soon.





Three Billboards Outside Ebbing, Missouri Review


Frances McDormand in Three Billboards Outside Ebbing, Missouri. Image property of Fox Searchlight Pictures.


“This time, the chick ain’t losing”

Director: Martin McDonagh
Starring: Frances McDormand, Woody Harrelson & Sam Rockwell

So far from Martin McDonagh we’ve had a hitman’s Christmas holiday, followed by a soul searching road movie with legitimate psychopaths. ‘Three Billboards Outside Ebbing, Missouri’ is a huge tonal departure from these eccentricities however, in favour of focusing upon social commentary. A shift which darkens the tone past any of McDonagh’s previous works, moving from black comedy to outright tragedy.

In terms of plot, this is the strongest piece of work from the Irish director yet. His multifaceted narrative gracefully introduces each new player, while tackling difficult topics in a unique way. Watching the A-list cast, led wonderfully by Coen Brothers favourite Frances McDormand, unravel this engrossing tale of retribution is stunning. The emotional nuances of nearly every character lending sympathy to many different figures, exposing internalised flaws in each. For example, Woody Harrelson’s police chief Willoughby, whom we first meet through the titular billboards is painted as a brutal and unsympathetic man. Soon after though, we learn just enough to not completely excuse him but understand his logic and empathise with his reasoning. There are a lot of redemptive arcs throughout ‘Three Billboards,’ and while Willoughby’s and Mildred’s (Frances McDormand) are near perfect, there’s one which is very misjudged. To say which character would be a spoiler, but he’s never shown as anything but abhorrently violent and racist throughout, so the sudden change to hero in the final moments feels very bizarre. The argument McDonagh makes of it being an examination of nature or nurture doesn’t excuse it either.


Woody Harrelson and Sam Rockwell in Three Billboards Outside Ebbing, Missouri. Image property Fox Searchlight Pictures.

The treatment of certain issues, including police brutality against people of colour, is equally haphazard. Several scenes are played for laughs at the expense of minority figures- including a wasted use of Peter Dinklage, where he appears to serve no purpose but being the butt of several height jokes. The case could be made that this is dark comedy, so risky content is par for the course. This however feels more like lazy writing. McDoangh believes it’s enough to be cruel about a grouping of people, and then claim it’s showing awareness to social issues. The constant torrent of discriminatory slurs doesn’t help either, resulting in several scenes feeling childish instead of uncomfortable or darkly comic.

Overall, ‘Three Billboards Outside Ebbing, Missouri’ is an infuriating film which could be brilliant. For every moment of great character development or intriguing plot direction, shallow representation or questionable scripting choices get in the way. If you are used to McDonagh’s style, you’ll find a lot to love here. But, it may be a little too on the nose for the uninitiated. It’s interesting to see this film taking so many awards nominations this season, because it is going to be highly controversial upon release.

‘Three Billboards Outside Ebbing, Missouri’ is released Friday 12 January nationwide.

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